Of the handful of things we can establish about Willis Wu, the protagonist of Charles Yu’s second novel, the most crucial is that he has occasional small roles in an American TV detective series, Black and White, set in Chinatown. In a group of similarly complexioned jobbing actors, his scope is limited to Background Oriental Male, Striving Immigrant or Generic Asian Man. His dream, like everyone else’s, is to rise to the athletic heights of Kung Fu Guy.
Printed in the form of a script, with a typeface that looks as though it’s come straight off a manual typewriter, Interior Chinatown comically charts Willis’s progress through the ranks of extras. Despite rising to the level of Special Guest Star, Willis is still cast as a stereotype with a fake Chinese accent, denied the depth of the show’s lead characters.
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