Peter Hoskin

The future of arts broadcasting

Peter Hoskin considers the future of arts programming on the small screen

issue 23 March 2013

Under the stewardship of John Reith, the BBC was godlier than it is today. In fact, when Broadcasting House was first opened in central London, Director General Reith made sure to dedicate the whole thing to Him up there. An inscription was chiselled into the wall of the building’s foyer, which began: ‘To Almighty God, this shrine of the arts, music and literature is dedicated by the first Governors in the year of our Lord 1931’. The words that followed included ‘decency’, ‘peace’ and ‘good harvest’. It’s not really the sort of epigraph that Auntie would put her name to now.

But, reading that inscription again, it’s not so much the G-word that stands out as the A-, M- and L-words: arts, music and literature. After all, people are currently questioning the BBC’s commitment to those ideals. Stand outside any gallery, concert hall or library, and sooner or later someone will waft up to you to complain — through a cloud of cigarette smoke and indignation — about the recent decision to move The Review Show from its weekly slot on BBC2 to a monthly one on BBC4.

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