Duncan Fallowell

The fruitcake island of Sicily and its legion of literary visitors

A review of Sicily: A Literary Guide for Travellers by Andrew and Suzanne Edwards. Is there anything that Sicily has not seen and does not know?

The most romantic winter resort in Europe: Taormina, with Mount Etna in the background, by Edward Lear [Getty Images/Shutterstock/iStock/Alamy] 
issue 03 May 2014

At the opposite end of the Continent to ourselves, Sicily has always been an attraction for the English who, from the vantage of Europe’s historically most stable society, have gazed with fascination at perhaps its least stable.

There were already links between us in the age of the Normans, who conquered Sicily at roughly the same time as they conquered us. The revival of classical learning in the Renaissance made the English increasingly familiar with the Sicilian connections of Homer, Plato, Archimedes, Aeschylus, Pindar, Empedocles, Theocritus, Virgil and Cicero, and with the island’s mythological and classical geography. Shakespeare set several plays there. English travellers and reprobates were among the first to make Naples and Sicily their playground. Nelson saved the island from Napoleon. The Inghams and Whitakers established Sicily’s wine trade. And in the 19th century the English and Germans between them made Palermo and Taormina the most romantic winter resorts in Europe.

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