Diana Hendry

The French connection

If ever there was a novel to which that old adage about not judging a book by its cover could be applied, it’s this one.

issue 07 August 2010

If ever there was a novel to which that old adage about not judging a book by its cover could be applied, it’s this one.

If ever there was a novel to which that old adage about not judging a book by its cover could be applied, it’s this one. What you’d expect, picking up Lisa Hilton’s The House with Blue Shutters and seeing, on the front, a nondescript young woman contemplating a blue-shuttered house, is romantic fiction. Historical, claims the blurb. Indeed there’s both romance and history here in a novel that moves between German-occupied France of 1939 and today’s France of second homes and holiday gites. But overall it’s food and sex (sales-team pressure?) that dominate and detract from both romance and history.

Lisa Hilton has written three historical biographies (The Real Queen of France, Mistress Peachum’s Pleasure and Queens Consort); this is her first novel.

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