Alec Marsh

The forgotten genius of Alfred Munnings

  • From Spectator Life
(Getty Images)

At first glance, the substantial yellow house on the turn of the country road could be a Trollopean rectory, one long sold off to a lawyer or boardroom executive. This is Castle House in north Essex – set in the flat, luscious landscape made famous by John Constable – which was for 40 years the home of the artist Sir Alfred Munnings. Since his death in 1959, it has been a museum dedicated to his life and work.

There is an overwhelming sense of tranquillity, a peculiar bucolic permanence, like the memory of a hot sunny day from childhood

Munnings, you may recall, painted horses – that’s what the Oxford Dictionary of Art and Artists will tell you, at least – but he did so much more than this, as the contents of this magnificent house reveal. Describing Munnings as a horse painter is rather like describing Michelangelo as an interior decorator.

Quite apart from being president of the Royal Academy (from 1944 to 1949), and being an implacable foe of modern art, Munnings was a painter of luminous portraits, landscapes of rare brilliance, as well as studies of pigs, ponies and more, all painted en plein air.

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