Laura Freeman Laura Freeman

The first-century saint who went viral

Laura Freeman reflects on art’s – and Twitter’s – fascination with Veronica and her sudarium

Proto T-shirt tout or early Christian super-fan: ‘Saint Veronica’, c.1470–5, by Hans Memling. Credit: Bridgeman Images 
issue 03 April 2021

Earlier this year, Saint Veronica went viral. A tweet observing that every painting of the saint made her look like a merchandise seller at the Crucifixion was liked more than 35,000 times and retweeted more than 6,700 times. Not bad for a first-century saint. I disagree slightly. Veronica doesn’t strike me so much as a proto T-shirt tout, more as an early Christian super-fan. ‘I touched the hem of his garment.’ ‘Yeah? Well, I literally mopped the sweat from his brow.’

The Sudarium of Saint Veronica is one of art history’s more peculiar subjects. While some saints and their attributes are easy to confuse (Tau? Sword? Saw? Tongs?), if there’s a lady in a painting holding up a square of linen scrim printed with the face of Christ, there’s no doubt she’s St V. A sudarium is a sweat cloth. Sudor: Latin, sweat. (Not to be confused — as this undergraduate art historian embarrassingly did — with sudatorium — the steam-room in a Roman bath.)

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