Graeme Thomson

The festivalisation of TV

Televising Glastonbury has changed the festival, and in turn transformed television

Pyramid programming: television makes Glastonbury feel far more conventional than it is. BBC 
issue 27 June 2020

The Glastonbury festival has undergone a series of metamorphoses in the 31 years since I first attended as a 15-year-old fence hopper (as, indeed, have I, thank heavens). One of the most significant changes, to pillage Gil Scott-Heron’s famous prophecy, is that the evolution has been televised. Back in 1989, if your boots weren’t on the ground — often a quagmire, though not that year — you missed out on all the fun.

This has not been the case for aeons. Television coverage of Glastonbury began on Channel 4 in 1994, switching to the BBC three years later. In recent times, the Beeb has sent its staff in numbers comparable only to its coverage of the Olympics and World Cup, causing perennial hand-wringing in certain quarters over whether the trip to Somerset denotes a justifiable deployment of resources or a mass staff jolly.

Last year the station devoted more than 30 hours of screen time to the festival, across BBC1, 2 and Four.

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