Though underestimated in the English-speaking world, Nikolai Leskov is one of the greatest of 19th-century Russian writers. Donald Rayfield has described him as
‘Russia’s best-kept secret’.
Richard Pevear’s excellent introduction to this selection includes Anton Chekhov’s account of how Leskov — ‘his favourite writer’ — said to him at the beginning of his career, after a night of carousing, ‘I shall anoint you with oil as Samuel did David. Write.’ This little scene, which could be from one of Leskov’s own stories, perhaps offers a clue as to why he is not more widely recognised. We don’t know whether to laugh at the story or to feel moved by it; similarly, we don’t know how seriously to take Leskov as a whole — and we English have always expected our Russian writers to be unambiguously serious. We want to be shown a character’s spiritual development; we want to be given truths to live by.
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