Adam Begley

The effortless magnetism of Marcel Duchamp

The artist whose ‘Fountain’ caused an outcry in 1917 was surprisingly easy, calm and detached – and irresistibly attractive to all who met him

Marcel Duchamp. [Alamy] 
issue 30 April 2022

One could compile a fat anthology of tributes to Marcel Duchamp’s charm – especially what one friend called the artist’s ‘physical fineness’ – but it would be hard to top Georgia O’Keeffe’s memory of their first meeting:

Duchamp was there and there was conversation. I was drinking tea. When I finished he rose from his chair, took my teacup and put it down at the side with a grace that I had never seen in anyone before and have seldom seen since.

A tempest stirred by a teacup!

Duchamp exerted – without ever exerting himself – a magnetism at once obvious and inexplicable

Made famous by his painting ‘Nude Descending a Staircase’ (1912) – ‘an explosion in a shingle factory’ per the New York Times – Duchamp was effortlessly attractive to both men and women. A mysterious figure, kind, clever, calm, elegant, easy and almost programmatically unconventional, he exerted – without ever exerting himself – a magnetism at once obvious and inexplicable.

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