The film world is atoning for its crimes against diversity. On screen, strong women are supplanting Disney princesses. Superheroes, once uniformly white and male, are turning multicultural. Gay intrigue is edging out heterosexual romance. Away from the camera, bankable stars force studios to employ minority personnel by adding ‘inclusion riders’ to their contracts.
Film-makers must repent ancient mis-speaks, beg forgiveness and denounce peers accused of transgressions. Abuse allegations against Woody Allen may be unproven, but actors who have taken his shilling disown him and donate their tarnished earnings to #TimesUp.
Unsurprisingly, the current awards season reflects these rectifications. Of the eight nominations for best picture Oscar, six boast diversity credentials. The Favourite scores double points by celebrating both female power and same-sex sex.
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James Delingpole
Most-read 2024: How did Wolf Hall escape the attentions of the BBC’s diversity commissars?
The industry’s pride in its redemption is prodigious, even by its own unparalleled standard of self-satisfaction.
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