Sean Thomas Sean Thomas

The deep absurdity of HS2’s diversity agenda

When it comes to British railway history, I can say, without exaggeration, that few places are more iconically located than my own home. This is because I live exactly where Camden Town meets Primrose Hill – and where Britain’s first intercity railway tore through inner London (around 1837), surging out of London’s first mainline station: Euston.

Indeed, my own house is visible in one of the famous 1838 John Cooke Bourne lithographs of this transport revolution: Building Retaining Wall near Park Street. The prosaic title deliberately spars with the poetic grandeur of Bourne’s cityscape, as the Camden Cutting slices grimly through the housing.

Does any of this bizarre, sometimes-well-meaning nonsense really matter?

I’ve had a splendid view, therefore, of the latest phase of British railway: HS2. And for the last five years or more I have observed, from my desk, as the momentum of this vast project has grown. At first I watched with misgivings (I felt the idea was misconceived; I feared the pollution and disruption).

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