Dominic Green Dominic Green

The dazzling, devious, doomed sound of James Booker

There is a hysterical jollity to Booker’s playing, a whistling past the graveyard

American jazz-piano virtuoso James Booker, c.1970. Photo: Val Wilmer / Redferns / Getty Images 
issue 10 October 2020

Dr John called James Booker ‘the best black, gay, one-eyed junkie piano genius New Orleans has ever produced’. Booker died in 1983 at 43, ruined by drugs, drink and madness. Though he appeared on plenty of other people’s records and stages — Dr John, Aretha Franklin, B.B. King — Booker recorded only three studio albums in his lifetime. Classified, recorded in October 1982 and now re-released on vinyl, was the last of them. It might not be the best of them, but it shows why Booker was one of the greats.

The studio was booked for three days, but Booker had a breakdown the week before and couldn’t get a good take in the first two days. He revived on the third and recorded Classified in four hours. He sounds dazzling and devious, mournful and ecstatic, lyrical and doomed, all at the same time.

Booker has a clear virtuoso signature. His left hand pushes the bass rhythm with anticipatory octaves, and stretches the feel with thick, arpeggiated mid-range chords.

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