Charlotte Hobson

The dark side of the circus

Tessa Fontaine describes the physical and psychological toughness needed to hack it as a circus artist

issue 23 June 2018

In 2013 Tessa Fontaine joined up with the World of Wonders, a circus sideshow that travels around the United States each year displaying sword-swallowers, human-headed spiders, snake-charmers and fire-eaters to a marvelling/cynical public. Sideshows, as Fontaine writes, ‘are where people come to see public displays of their private fears’, and to probe their disgust reflexes and their yearnings. Here, too, they come to tread the line between relinquishing themselves to magic and uncovering, once and for all, the trick.

Yet as Fontaine discovers in her first flame-eating lesson, the trick is simply that there is no trick. Flame-eaters get burnt; sword-swallowers die of wounds inflicted by carelessly inserted blades. If you see pain, there is pain — or did you imagine that the show people were a special breed who feel nothing when they hammer nails up their noses? The only way is to feel the pain and fear and to overcome it.

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