Alan Rusbridger’s new book, Breaking News: The Remaking of Journalism and Why It Matters Now, is a thoughtful, if somewhat prolix, analysis of the tectonic changes that the internet is effecting on journalism. But its real message – and how insidiously it drips through the pages – is that virtually every national newspaper in Britain is scurrilous, corrupt and amoral with one iridescent exception. Yes, you’ve guessed it: the Guardian.
Now Alan is a very gifted journalist with huge achievements to his name – achievements, incidentally that he’s not reluctant to dwell on. So how sad that the defining tone of this tome is sanctimony and self-justification. Unedifyingly, it manages to combine rather cloying self-glorification and moral superiority with an almost visceral contempt of and disdain for the rest of the press. A somewhat chilling lack of self-awareness fuses with a hyper-sensitivity to the flaws of others. Indeed, its sine qua non is that only Alan and the Guardian are capable of producing what he calls “worthwhile” journalism.
Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in