When the American director Errol Morris saw Werner Herzog’s film Fata Morgana for the first time, he was heard to mutter: ‘I didn’t know anyone was allowed to write things like this.’
I didn’t know anyone was allowed to live like this. Herzog’s new memoir Every Man For Himself and God Against All is astonishing and – whether you know his films or not – potentially life-changing, at least for me.

Disagree with half of it, enjoy reading all of it
TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.
Already a subscriber? Log in
Comments
Join the debate, free for a month
Be part of the conversation with other Spectator readers by getting your first month free.
UNLOCK ACCESS Try a month freeAlready a subscriber? Log in