Rodric Braithwaite

The Crimean War spelt the end of hymns to heroism and glory

Writing from opposite sides, Leo Tolstoy and William Howard Russell exposed the horror of conditions in a quagmire war which seemed to have no meaning

Photograph of Sir William Russell Howard in the Crimea by Roger Fenton, 1855. [GHI/Universal Images/Getty Images] 
issue 28 September 2024

Leo Tolstoy served as a young artillery officer in the defence of the great Russian naval base of Sevastopol against British and French invaders in the middle of the 19th century. The first of his three short stories, collected as Sevastopol Sketches, came out as the siege was still in progress. In it he spelled out as no writer had done before the way people died in shattered trenches, their bodies shredded by shell fire and left to rot in the mud; or in filthy, overcrowded hospitals, where overwhelmed doctors hacked off limbs without anaesthetic. He wrote not about the generals but about the ordinary soldiers, the men and women caught up in the fighting, the Russian people themselves. His stories were far from the traditional hymns to heroism and glory which had accompanied previous wars. They discomfited the patriots; but they made Tolstoy’s reputation as one of the greatest war writers of all time.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in