Rupert Christiansen

The company has a hit on their hands: Scottish Ballet’s Coppélia reviewed

Plus: a French clown and ‘a choreographed musical journey celebrating diversity’

Constance Devernay-Laurence and Simon Schilgen in Scottish Ballet’s fresh take on Coppélia [Andy Ross]
  • Comments

  • Room

    King’s Theatre

  • A Wee Journey

    The Studio

  • Coppélia

    Festival Theatre

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Read next

Trending

Ian O’Doherty

Ireland’s suicidal Trump Derangement Syndrome

Ireland has a problem with America. Irish politicians and the country’s establishment would, of course, deny this. They would point to the fact that 35 million Americans claim Irish descent, and that the Irish and American governments enjoy their own version of a ‘special relationship’, involving an annual presentation of a shamrock at the White House

More on ballet

Also by Rupert Christiansen

Latest

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in