Rupert Christiansen

The company has a hit on their hands: Scottish Ballet’s Coppélia reviewed

Plus: a French clown and ‘a choreographed musical journey celebrating diversity’

Constance Devernay-Laurence and Simon Schilgen in Scottish Ballet’s fresh take on Coppélia [Andy Ross] 
issue 27 August 2022
GIF Image

Disagree with half of it, enjoy reading all of it

TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view

Comments

Join the debate for just £1 a month

Be part of the conversation with other Spectator readers by getting your first three months for £3.

Already a subscriber? Log in