Horror films occasionally use the device of the deceptive idyll. An apparently restful place — a clearing in the woods, a pretty cottage — is the site of a fiendish atrocity. A goodie escapes and breathlessly reports the matter to the police. Next morning the authorities race to the scene, and find nothing. Wickedness has been concealed. The deceptive idyll has returned.
Such a place is Chambéry airport in south-east France. Framed by mountains and fringed by Lake Bourget, it was founded in 1938 and has not grown much. On weekdays little disturbs the airfield daisies save the tinkle of distant cow bells and a cooling Savoyard breeze. You can imagine the Milka girl dating the guy with the ping-pong bats.
Yet on winter Saturdays, Chambéry’s mask drops. There is weeping, wailing and gnashing of middle-class British teeth. Arguments erupt. Profiteers fleece desperate families. Children shiver. Chambéry airport, you see, is one of the main terminals for British ski-tour operators in the French Alps.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in