Yascha Mounk

The case for photo-bombing

(iStock) 
issue 16 December 2023

A few months ago, I visited Angkor Wat, the majestic temple in present-day Cambodia that once stood at the centre of a vast empire. As the five towers of the palace came into view, I was, despite the intense heat, fully immersed in the beauty of the place. I imagined how excited a visitor from a faraway land in the 12th century, full of anticipation for a meeting at court, would have felt arriving at what was then the largest settlement on Earth. And like that imaginary visitor, I felt propelled forward, impatient to cross the moat that separated me from the edifice, to get a closer look.

At that moment, I heard a confident American voice. ‘Excuse me,’ the man shouted, as he crouched on the floor, phone in hand. ‘I’m taking a picture.’ I took a few steps back, joining about a dozen people waiting patiently in the scorching sun for the man to take a photo of his wife.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in