This is a weird and wonderful book. Bernie Krause, who started out as a popular musician and then in the mid-Sixties began to experiment with synthesisers and electronic mixing, has spent the past 40 years recording natural noises — individual species, but more importantly, perhaps, whole habitats and therefore the relationship of the different sounds within specific environments.
He has recorded over 15,000 different topographies, and is recognised as a global expert. However — and this is his point — at least half of these ‘soundscapes’ no longer exist; their ancient music has been corroded, thinned out or even silenced by human background din, as well as by the exploitation and destruction of so many of the habitats and species themselves. In this book, he sets out to show us what we are losing and why it matters.
He makes vivid and persuasive arguments against both our exclusively visual response to nature and our emphasis on individual species over relationships.
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