The Broken Road, by Patrick Leigh Fermor – review

Sound the trumpets. Let rip the Byzantine chorus of clattering bells and gongs, the thunder of cannons, drums and flashing Greek fire. Raid cellars and let champagne corks fly. Eighty years after Patrick Leigh Fermor’s epic trudge across Europe, 20 years after the death of his long-suffering publisher Jock Murray, ten years after the passing of his wife Joan, and two years after his own death, the elusive third volume that so tormented him is published at last. The travel trilogy is complete. It is, as John Murray reminds us, the literary event of the year. But for those who admire Paddy’s densely beautiful prose, can this awkward, unformed orphan live up to its billing?

There is no need to rehearse the extraordinary genesis and gestation of its predecessors, A Time of Gifts, published in 1977, the small matter of four decades after the walk, and Between the Woods and the Water (1986), both classics of 20th-century travel writing. ‘To be concluded,’ were the final words of the second volume. Ever since, silence.

Fans of Paddy wondered what was happening in his sunlit writing-room in Kardamyli in the southern Peloponnese. ‘When might the final volume see the light of day?’, I asked him there in 2006. He was 91, and the question was unfair. It was ‘all a bit grim,’ he said. Writing was ‘rather difficult’.No wonder. He was suffering from tunnel vision, was unable to type, disliked dictation and had no assistant. Strangely, the early draft of this last leg of the walk, which he started to write in 1962 and was still editing a few months before his death, predated the first two books.

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How to reconcile the parallel journeys of an 18-year-old walking from the Hook of Holland to Constantinople (never Istanbul) in 1933 and the later literary travels of a much older man setting this great walk to prose? This was always the challenge — and a prodigious test of memory, for the notebooks had been lost.