Philip Hensher

The Brilliance in the Room

Philip Hensher welcomes this account of the moralist, but misses the humorist

issue 08 October 2011

It is difficult to conceive of a writer more passionately loved by his audience than Dickens was. It went on for a very long time, too. We learn from the historian David Kynaston that, immediately after the second world war, Dickens was one of the five most borrowed authors from public libraries. My grandmother was probably a typical reader of Dickens: she left school at 14 before the first world war, yet had a cheap set of Dickens in the house (I think it was a promotional giveaway by the Daily Express at some point in the 1930s.) I have the set — the typeface and the acid paper nearly make your eyes and fingers bleed. And yet she read most of them a lot more than once: the copy of David Copperfield falls apart as you open it. A century after thousands of ordinary admirers filed past Dickens’s coffin in Westminster Abbey, ‘bringing’ (as Claire Tomalin says) ‘the heartfelt, useless notes they had written for him, and offerings of flowers that filled up and overflowed the grave’, many thousands of ordinary, not very educated readers still loved him and thought of him as their own.

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