Andrew Lambirth

The Bloomsbury painters bore me

By contrast the work of Frank Dobson and Matthew smith pack a punch, as a new National Portrait Gallery exhibition shows

Still Life with Carrots (c. 1921) by Duncan Grant [Bequeathed by Sir Edward Marsh through the Contemporary Art Society 1953 http://www.tate.org.uk/art/work/N06143] 
issue 06 September 2014

Virginia Woolf (1882–1941) claimed that nothing has really happened until it has been recorded, so this new exhibition at the NPG devoted to her life can only now be said to have happened — for here I am recording it. Of course it is a truism that an exhibition only exists while it is on. Afterwards it remains in (some of) the memories of those people who visited it, and in photographic records or a catalogue of the exhibits. Among the items that will linger in my memory of this show are the portrait by Julia Margaret Cameron of Sir John Herschel, mathematician and astronomer, looking like a distraught French revolutionary; the lithograph of Henry James by William Rothenstein; Sydney-Turner by Vanessa Bell (despite the poorly painted hands); Dora Carrington’s self-portrait; and a 1934 photograph of Virginia Woolf by Man Ray — one of the most lucid and beautiful images here.

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