How thriller writers must miss the Cold War! Early John le Carré and Len Deighton had it easy when trying to create a convincingly menacing enemy: the Soviets, obviously. But their successors are forced to go through all manner of desperate contortions to generate their bad guy McGuffin. They can’t do Muslims because that’s Islamophobic; they can’t do the Chinese because the entertainment industry (like everywhere) is too in thrall to the CCP. So they end up promoting paper tigers like ‘right-wing extremism’, as Mick Herron does in the first of his Slow Horses series.
Herron has been rightly hailed as the new Le Carré. His black-comedy novels about a scuzzy sub-branch of MI5 at a decrepit east London outpost called Slough House create a universe at least as plausible, vivid and involving as Le Carré’s Circus. And now Apple TV+ has done him proud with perhaps the most rounded, best-acted old-school TV spy drama since Smiley’s People.
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