Michael Tanner

The best recordings of the greatest symphony

Some of the old-timers who you might expect to be in tune with Bruckner’s Eighth now seem rather superficial, including Bruno Walter and Otto Klemperer

Anton Bruckner on his deathbed. Image: Lebrecht Music Arts / Bridgeman Images 
issue 16 May 2020

I am daunted. Bruckner’s Eighth Symphony is a work that I regard with love, awe and even anxiety. I always wonder whether I’ll be able to cope with such large and deep demands on me and, if I hear a performance or recording that doesn’t disappoint me, be able to articulate why I find it so powerful, one of the supreme masterpieces of Western music, the greatest of symphonies.

With musical works that one has the strongest kinship with, there is, as everyone finds, an urgent need to locate the qualities that make it so penetrating an experience, combined with misery at the gap between how one responds and what one feels able to say. What I have usually done when I have been overwhelmed by Bruckner Eight, but still frustrated about being unable to express why I find it so wonderful but imponderable, has been to get another recording or listen to another broadcast or, as occasionally happens, attend a performance of it.

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