In the autumn of 1632, a man called Kaspar Schisler returned home to the small Bavarian town of Oberammergau. He didn’t walk through the gates in daylight, but waited until night, sneaking in past the tower guards. A few days later he was dead from the plague that was swelling and blistering its way across Europe — a plague which, until that point, strict quarantine had kept out.
Within a year it had killed a quarter of the town. The remaining residents gathered together and made a vow: if they were spared, they would stage a play of the life and death of Jesus, and would continue to do so every ten years in perpetuity. The plague abated and the Oberammergau Passion Play became a fixture, performed every decade since — part of a long tradition of dramatised Passions that stretches back to Pope Leo in the 5th century. This year’s performance has been postponed until 2022.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in