Deborah Ross

The best film of the year: Judas and the Black Messiah reviewed

Daniel Kaluuya is electrifying and you will bite your nails until you have no nails left

Electrifying: Daniel Kaluuya as Fred Hampton in Judas and the Black Messiah. Credit: © Warner Bros/Glen Wilson 
issue 13 March 2021

Judas and the Black Messiah is a biopic about Black Panther leader Fred Hampton, but it’s not your regular biopic because it’s told as crime thriller, through the eyes of a snitch, who may be found out at any minute. This film says what it has to say — about race, injustice, police brutality — but excitingly, thrillingly and non-formulaically. It’s the best film of the year so far, which may not be saying much, given how few films have been released, but you get the sentiment. (The Bond film No Time to Die has been postponed so many times I fear none of us will see it in our lifetimes.)

Directed by Shaka King, and written by King, Will Berson, Kenny Lucas and Keith Lucas, the film is based quite accurately, as far as I can fathom, on true events. And it’s best you resist looking up Hampton until afterwards — when you will want to look him up — otherwise you’ll know the ending, which is such a shocker that I’m still reeling.

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