Lloyd Evans Lloyd Evans

The Beeb could turn this script into TV gold: Howerd’s End reviewed

But will theatre survive the latest closures? Or might it evolve into a decorative outdoor pursuit, like lawn bowls or cricket?

Simon Cartwright as Frankie Howerd and Mark Farrelly as Dennis Heymer in 'Howerd's End' at the Golden Goose Theatre. Photo: C. Steve Ullathorne 
issue 07 November 2020

It’s touch and go whether the theatre will survive this latest assault. Some venues have pushed back their entire programme by four weeks, which is chaotic but manageable. Theatres mounting a panto are in a trickier position because they can’t trust Gove and Johnson not to extend the curfew into the festive season. November is the month when companies start to book venues for the Brighton Festival in May. What to do? Take the plunge or wait it out for another year? And the big decision about Edinburgh 2021 will have to be faced before the winter is over. The lockdown in spring was a financial and professional calamity but this new onslaught adds a spiritual element — despair. What’s the point of pursuing an art form which the government is ready to sacrifice in order to tackle a bug whose recovery rate is extraordinarily high? At least the plagues that closed the Elizabethan theatres had the courtesy to kill huge numbers.

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