Andrew Lambirth

The artist as lover

What with marriage to Lee Miller, orgies and a long friendship with Picasso, Penrose’s life was scarcely dull. But James King’s clunky biography makes it seem so

issue 25 June 2016

Roland Penrose (1900–84) was a Surrealist painter and object-maker, a collector and art world grandee, a writer and organiser of exhibitions, co-founder of the Institute of Contemporary Arts (ICA) and biographer of Picasso. He amply illustrates Goethe’s dictum that we are rich at the price of our contradictions. Born a wealthy Quaker, Penrose rebelled and became an artist. He was deeply involved with the revolutionary practice of Surrealism but was also an establishment figure: a substantial landowner who accepted a knighthood for services to the arts. His private life was equally divided. His first marriage, to the poet Valentine Boue, was never consummated. His second and more famous wife was the photographer Lee Miller.

Roland and Lee had an open relationship and, in the early years, happily told each other of their lovers. Later, when Miller began to drink heavily and lost her mesmeric good looks, she felt threatened by Roland’s continued infidelities.

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