Aidan Hartley Aidan Hartley

The art of mourning well

Following Mum’s death a month ago, I have been staying quietly at her home on the beach in a whirlpool of memories

Any house on the Indian Ocean beach erodes swiftly, like a sand castle, against the onslaught of wind and ocean spray [Photo: Irfan Quader] 
issue 13 February 2021

Malindi, Kenya

I’ve learned that mourning must be tackled ever so gently. As a younger man, when friends were killed in Africa’s wars I’d become angry and drink. When Dad died I cut adrift in Yemen for a time. Following Mum’s death a month ago, I decided to stay quietly at her home on the beach. The Kaskazi monsoon whirls through the house and white horses roar on the reef. Soon after dusk the memories appear more vivid than in daylight and these parade through my fitful sleeps until dawn, when I can at last get up and trek along the foreshore among ghost crabs and sandpipers. Each morning I box with my coach Amani, before starting work. I run the Laikipia farm by telephone and spend my days on Zoom calls to England. Apart from one robust session with my surfer friend James, I have been careful on the booze.

Any house on the Indian Ocean beach erodes swiftly, like a sand castle, in the wind and ocean spray

The year my father died, torrential rains lashed the beach house until the coconut thatch roof caved in and the walls crumbled.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in