On the walls of the Chancellor’s office hangs a print of Eric Ravilious’s lithograph ‘Working Controls while Submerged’ (1941). Two engineers in blue overalls heave the levers of a submarine. A third slumps asleep on a bench. An image, perhaps, of the ship of state, several hundred feet underwater, but by no means sunk yet. We might picture Rishi Sunak in the Treasury control room, changing the gears, working the pumps, keeping the country bumping along even at the bottom of the economic ocean.
Or perhaps Sunak looks at his four framed screen-prints by the artist Justine Smith — ‘Pound’, ‘Euro’, ‘Dollar’, ‘Yen’ — and thinks: if only it were so easy just to print money. Maybe he turns to the portraits of Disraeli and Gladstone (after Millais) and asks: ‘Well, chaps, what would you do?’
A raid on the Government
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