David Blackburn

The art of fiction: Empire edition

The British Empire produced some great books. Both sides of the debate over the empire’s moral worth should be able to agree on that at least.

Empire was a major subject the nineteenth century’s great essayists and historians. Macaulay’s History of England is underpinned by the assumption that the history of England was ‘emphatically the history of progress’. The Whig school of history, embodied by G.M. Trevelyan, entrenched Macaulay’s ideas. Britain’s destiny was to bring progress to less fortunate people, which was reflected by the Victorian imperial policy of ‘civilising’ the globe. J.G. Farrell’s The Siege of Krishnapur describes that noble, presumptuous and often catastrophic aim in a richly satirical setting: poetry reading continues at Krishnapur despite mutiny, siege and cholera.

Farrell’s Empire Trilogy is part of a tradition of imperial fiction (a tradition now dominated by works from formerly subjugated peoples).

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