Lloyd Evans Lloyd Evans

The Armour at Langham Hotel reviewed: three new playlets that never get going

Plus: a new Mugabe drama at the Gate Theatre that, amazingly, doesn’t offer a single piece of data about the play’s subject

Simon Darwen as Peter and Siubhan Harrison as Eloise in ‘The Armour’. ©Tristram Kenton 
issue 14 March 2015

One of last year’s unexpected treasures was a novelty show by Defibrillator that took three neglected Tennessee Williams plays, all set in hotel rooms, and staged them in suites at a five-star dosshouse in central London. The Langham Hotel, an antique hulk of marble and glass overlooking Broadcasting House, is justly proud of its raffish literary history. Arthur Conan Doyle once met Oscar Wilde there for a chinwag and a cup of tea and by the time the bill arrived they’d conceived a fictional detective named Holmes.

The Langham’s management is keen for Defibrillator to repeat last year’s success but how? Search the archive for more plays set in hotels? Dramatise a short story with a hotel location? Commission some brand-new inn-based drama? Defibrillator plumped for option three. And it’s immediately apparent what’s missing: Tennessee Williams and the peculiar harmony between his artistic sensibility and the hotel location. A five-star hotel complements and makes sense of Williams’s world.

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