Last week, for the first time since 1996, and for the second time in nine attempts, England won a match that was decided by a penalty competition. You may have read something about it.
The penalty shoot-out is the classic example — the type specimen — of a sport transforming itself for television. Television loves penalties because television loves drama. When drama is mixed with partisanship the mixture is irresistible: a perfect piece of entertainment.
Many sports have gone down the same route: changing their essence to please television, to create entertainment and ultimately to make more money.
It’s not always a bad thing. The tie-break in tennis was first used in 1965 on the professional circuit. It was introduced at Wimbledon in 1971, in delayed response to a match of 1969 in which Pancho Gonzalez beat Charlie Pasarell 22-24 1-6 16-14 6-3 11-9.
To win a tie-break (and therefore a set) you must lead by two clear points.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in