It is strange that, in an age when so few people read books, literary prizes have taken on such significance. This week, with considerable pomp, the Man Booker Foundation announced a new award in honour of the late Beryl Bainbridge, the novelist and Spectator contributor. At last, Beryl the ‘Booker Bridesmaid’ – so-called because she was shortlisted for the award more than any other writer without ever winning it – could become Beryl ‘the Booker bride.’ This new ‘Best of Beryl’ prize, to be chosen by the public, means she can rest in peace.
Isn’t it silly? Bainbridge deserves a posthumous prize, of course: she was a brilliant writer, arguably the best of her generation, and, I’m told, a wonderful woman. But once you start dishing out awards to the dead, where do you stop? Dickens is dead; shouldn’t he have one? What about Austen?
The real shame is not that Bainbridge never got a Booker in her lifetime, but that she is not alive to accept this ridiculous gong for being dead.
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