That unmistakable touch of Glass

Philip Glass is by now surely up there in the Telemann class among the most prolific composers in history. There must be an explanation, preferably a non-defamatory one, for how his technique has enabled him to produce such an enormous quantity of music. A glance at my iPod shows that Varese’s collected works are over in 150 minutes: Berg, Ravel and Debussy each managed to produce between ten and 15 hours of music at most.

Glass’s style, which has been called ‘minimalist’, though he doesn’t accept the label, works on a bigger scale. He has written 25 operas, some, like Einstein on the Beach, as long as Die Meistersinger. He owns up to 30 film scores, although the internet movie database connects him with more than a hundred different films. There are ten symphonies on a Mahlerian scale, nine string quartets and a dozen full-scale concertos.

The early pieces can be immense— ‘Music in Twelve Parts’ lasts four-and-a-half hours in performance.