A cloudless sky, an American flag and, to the left, something that looks like a music stand. A huddle of men in black suits, one in sunglasses staring straight at the camera, the others, arms stretched, are clustering round a fatter, older man whose face is streaked with blood, his fist raised as if fist-bumping God. This, in Donald Trump’s mind, is just what he is doing for he has survived the assassin’s bullet: something neither Kennedy nor even Lincoln achieved.
The composition, taken in near impossible circumstances, is breathtaking both for Evan Vucci, the photographer, and for Trump. It is the dream shot, a hero shot, taken a few months before the election. One or two points on his ratings, mutter the pollsters, but really it’s over and he’s won.
‘I shoot politics for a living, man,’ said Vucci. ‘Being a photographer you have to be there.’
‘F8 and be there’ is the first rule of news and war photographers. The

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in