Graeme Thomson

Terrifically good value: Nick Cave & the Bad Seeds reviewed

Plus: Primal Scream have tended to make two kinds of records – good ones and bad ones. Come Ahead is not one of the good ones

Nick Cave patrolled the apron of the stage, clasping countless hands and leering wolfishly into the pit. Image: Andrew Whitton 
issue 09 November 2024

A few years ago, I received an early morning phone call from Nick Cave’s former PR, berating me for not crediting his band the Bad Seeds in an album review. She was quite right. As Cave says, with a hint of paternal pride, during this powerhouse Glasgow show: ‘This band can do anything.’

It’s not just that the Bad Seeds’s task ranges from delicately enhancing the most nakedly exposed ballads to unleashing a raging firestorm of noise. It’s that supporting a performer as mercurial as Cave takes oodles of nous and empathy. He’s a wild thing, but they never once lose him.

Cave brings to mind that volatile drunk left lingering at the fag-end of a house party

Alternating between sitting at the piano and patrolling the apron of the stage, where he clasps countless hands and leers wolfishly into the pit, Cave brings to mind that volatile drunk left lingering at the fag-end of a house party: one minute slumped in maudlin despair, mumbling weird words about the girl that got away, the next sprung into antic life, unspooling manically, ranting about God.

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