A few years ago, I received an early morning phone call from Nick Cave’s former PR, berating me for not crediting his band the Bad Seeds in an album review. She was quite right. As Cave says, with a hint of paternal pride, during this powerhouse Glasgow show: ‘This band can do anything.’
It’s not just that the Bad Seeds’s task ranges from delicately enhancing the most nakedly exposed ballads to unleashing a raging firestorm of noise. It’s that supporting a performer as mercurial as Cave takes oodles of nous and empathy. He’s a wild thing, but they never once lose him.
Alternating between sitting at the piano and patrolling the apron of the stage, where he clasps countless hands and leers wolfishly into the pit, Cave brings to mind that volatile drunk left lingering at the fag-end of a house party: one minute slumped in maudlin despair, mumbling weird words about the girl that got away, the next sprung into antic life, unspooling manically, ranting about God.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in