‘PUNK’S NOT DEAD!’ I will sometimes write as a sign-off on emails to mates when I’ve said something particularly ‘bad’. It’s something of a joke with me; although I was around the scene early on (1976) and started my career off as a 17-year-old writing about punk, I didn’t much like it. I liked black music – disco, Motown, soul; I thought that most white music was just a nasty old racket.
But I do like the phrase, implying as it does a refusal to bow down to the establishment. Although we had a Labour government from 1974, it’s fair to say that the establishment of the 1970s was a fusty right-wing thing, sexist and racist and snobbish. But funnily enough, it’s still sexist and snobbish, in that women and the working-class are expected to obey (transvestite) men and the liberal elite respectively; it’s not racist in the old vulgar way but in a modish, middle-class way, dealing in the poverty of low expectations, seen best in that hilarious Labour election promise that only Jeremy Corbyn ‘can be trusted to unlock the talent of black, Asian and minority ethnic people’ when the Tory cabinet already featured more black, Asian and minority ethnic people than a Labour one ever had.
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