Kate Chisholm

Telling our story

Back in the Sixties or Seventies it was TV that made the cultural running, showing off its photogenic qualities to make series that were supposed to change the way we thought about ourselves.

issue 16 January 2010

Back in the Sixties or Seventies it was TV that made the cultural running, showing off its photogenic qualities to make series that were supposed to change the way we thought about ourselves. Huge amounts of dosh were pumped into Kenneth Clark’s Civilisation and Jacob Bronowski’s The Ascent of Man as Clark swanned around the Western world displaying gems of creativity, while Bronowski did the same for our intellectual development travelling from Easter Island to Auschwitz and back. Now, though, TV is looking more and more like a blowsy old music-hall star, decked out with cheap glitter but unable to disguise its creaking lack of creativity. Where, for instance, on the TV schedules could you find a series with the same kind of ambition, yet the same value for money, as the huge new series on Radio Four that launches on Monday and runs every weekday morning throughout the year?

For A History of the World in 100 Objects the presenter Neil MacGregor has not moved beyond the four walls of the institution which he directs, the British Museum.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in