Michael Hann

Teenage Fanclub are not a dramatic group, but they are lovely

Plus: the Sisters of Mercy at the Roundhouse, who, when they were good, were fantastic

Lizzie Holmes as Silvia: one of the two principals whose luminous singing and sensitive acting powered Zanetto. Photo: Peter Mould 
issue 18 September 2021

They may no longer get many teenagers at their shows spending all their money on merchandise, then throwing up on the way home, though that certainly happened at the end of the 1980s, when they began, but people do love Teenage Fanclub. Their teenage fans are now middle-aged, and have spent the intervening years growing up with the band. They’ve listened as the group started singing about parenthood, long-term relationships, ageing, and they’ve stayed with a group who reflected their own lives back at them.

The music, too, has changed. Where the early Fanclub records were sparky, messy alt-rock, they have spent the decades refining themselves so their songs are now polished miniatures, undramatic at first sight, but filigreed and burnished like tiny masterpieces. They are not a dramatic group, but they are — a word rarely applied to middle-aged male rock bands — lovely.

Cabinet meeting

This show was a curiosity: it was the group’s first appearance in London since their bassist, Gerard Love, left in 2018.

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