Michelangelo’s Dream
Courtauld, until 16 May
This is one of the series of exhibitions built around a single masterpiece from the Courtauld’s collection — in this case Michelangelo’s remarkable presentation drawing ‘The Dream’ — placed in an informative context of closely related loans. The Courtauld does it superbly: quietly stated, rigorously researched, laid out with clarity and authority. It is accompanied by a hefty but handsome catalogue (published by Paul Holberton, £30 in paperback), packed with scholarly exegesis, with particularly useful notes on individual exhibits. The show consists of a group of Michelangelo drawings, original letters and poems by the artist, and certain works by his contemporaries.
I’m not entirely happy about the inclusion of autograph manuscripts in exhibitions of drawings and paintings. We can see it in two shows concurrently in London: van Gogh at the Academy and this one.
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