If you heard Australian bluesman C.W. Stoneking’s first album, King Hokum, then you will know what to expect from his second: Jungle Blues.
If you heard Australian bluesman C.W. Stoneking’s first album, King Hokum, then you will know what to expect from his second: Jungle Blues. If you didn’t, then let me point out that Stoneking is a prize mimic. With a banjo in his hands, and the wail of a Howlin’ Wolf or Robert Johnson in his throat, this 36-year-old (white) man (raised by American parents in an Aboriginal community) sets about recreating every lurch and inflection of 1920s blues and calypso music. The horns swoon, the drums shuffle — and you’d swear you can hear the crackle of old vinyl, dusty between its grooves.
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