Lloyd Evans Lloyd Evans

Taking the Michael | 6 December 2018

Plus: a new post-Brexit play that relies on well-placed pals to add authenticity

issue 08 December 2018

One of the biggest stars of the 1970s was the professional lard-bucket Mick McManus, who plied his trade as an all-in wrestler. The sport was televised to millions. The parents of the playwright Michael McManus must have calculated that by giving their child the same name as ‘The Dulwich Destroyer’ they would subtly galvanise his intellectual ambitions. Their ploy paid off. The young Michael McManus, lumbered with the identity of a potato-shaped pugilist, seems to have toiled night and day to distinguish himself from his pot-bellied namesake. He succeeded in establishing his intellectual credentials by working as a political diarist, a ministerial adviser, and by writing well-received biographies of Jo Grimond and Ted Heath.

His new play, An Honourable Man, imagines the formation of a post-Brexit centrist party under the leadership of a popular Labour MP, Joe Newman. Deselected by Momentum, Joe stands as an independent against a Corbynite stooge. He wins.

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