Lionel Shriver Lionel Shriver

Taking offence has become a blood sport

issue 01 September 2018

In a recent column, I vowed to return to a point made in passing. To refresh your memory, the American magazine the Nation printed a formal apology for running a harmless 14-line poem by a white writer about homelessness. The poet’s sins: using the word ‘cripple’ and adopting a voice lightly evoking what I gather we’re now to call ‘AAVE’: African-American Vernacular English. Facebookers were incensed, comments huffy. The poet apologised, too.

I decried this ritual progressive self-abasement as cowardly and undignified. But it’s worth taking a second look at that story as a prime example of screaming emotional fraudulence in the public sphere.

Employing today’s prescribed lexicon, those apologies regretted the ‘pain’, ‘harm’, and ‘offence’ this sad-ass little poem had caused to stricken communities. But let’s get real. None of those poetry readers felt any pain. (Remember pain, actual pain? Drop a brick on your foot in sandals. Yeah. That’s ‘pain’.)

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