Deborah Ross

Take the plunge

Terrence Malick’s The Tree of Life is his fifth film in 38 years (what a lazybones!) and travels way beyond what I can think about, or any of us can think about, which may be its point.

issue 09 July 2011

Terrence Malick’s The Tree of Life is his fifth film in 38 years (what a lazybones!) and travels way beyond what I can think about, or any of us can think about, which may be its point.

Terrence Malick’s The Tree of Life is his fifth film in 38 years (what a lazybones!) and travels way beyond what I can think about, or any of us can think about, which may be its point. How are we here? Why are we here? In what way do the ‘how’ and the ‘why’ connect, if they do? I know. Exhausting. And although people say you should not watch a Malick film as you do other films, that you should immerse yourself in it as if it were a meditative experience, I simply don’t know how you are meant to accomplish this. Are there evening classes? Self-help books? But — and this is a big ‘but’, so pay attention — even though you have to work so devilishly hard at this, and work at it while Malick is probably still in bed (such a lazybones!), and even though it is grandiose and humourless and preposterous it is also fantastically fresh, rich and fascinating.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in