Greg Garrett

Sympathy for literature’s least heroic characters

Spare a thought for Monsieur Bovary, permanently in Emma’s shadow, and for Queen Gertrude, driven to drink poison by the taunts of her mad son Hamlet

issue 31 August 2019

Whether we see the primary cause as being postmodernism (for decades we’ve been told that our master narratives no longer connect us to each other) or cultural fragmentation (apart from worldwide phenomena such as Game of Thrones and the World Cup, we possess few shared encounters), the intellectual consensus is that we don’t talk meaningfully to each other because we lack communal stories. Leavers and Remainers, Trumpers and Never Trumpers seem to read the same experiences in entirely different ways.

This failure to communicate is what makes Alberto Manguel’s Fabulous Monsters such a charming and essential book.As a result of a lifetime of reading, he argues that as divided as we may be about the universality of shared stories (the Bennet sisters, he says, never spoke to him, while Pride and Prejudice is one of my read-every-year books), our culture and our history are indeed marked by a multitude of characters who can still help explain us to ourselves and to each other.

Manguel calls Dracula an ‘essential monster’, and argues, in smart, funny short essays, that all the figures about whom he writes represent something essential about human experience.

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