It’s a rewarding moment for a stroll round the London galleries. Good art is still being made and exhibited (some of it even selling), while more historical figures such as Winifred Nicholson (1893–1981) and Robert Motherwell (1915–91) are being accorded the benefit of monographs and mini-retrospectives. Winifred Nicholson is often overshadowed by the ambitious and radical modernism of her husband Ben, and, although they split up in 1931 (he went off with Barbara Hepworth), they remained lifelong friends and artistic allies. Ben acknowledged Winifred’s inspiration and influence, particularly in the realm of colour, but her work still gets sidelined in the histories. A handsome new monograph by Christopher Andreae (Lund Humphries, £35) should help to correct this imbalance and reveal Winifred as the true original she has always been.
At Crane Kalman (178 Brompton Road, SW3, until 25 July) is a delightful show of her paintings and drawings.
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