Lloyd Evans Lloyd Evans

Suchet makes Poirot sound like craft beer: Poirot and More, at Harold Pinter Theatre, reviewed

Plus: there are several good plays in Kate Reid’s overcrowded script for Park Theatre

David Suchet looks surprisingly athletic with the squat broad frame of a coal miner or a scrum-half. Image: Ash Koek 
issue 22 January 2022

Producers are getting jittery again. Large-scale shows look risky when a single infection can postpone an entire show. Hence Poirot and More in the West End. This is a conversation piece in which David Suchet talks about his career as Agatha Christie’s most celebrated nosy parker. Not much technical rehearsal is needed and Suchet relies on the support of a single performer, Geoffrey Wansell, who feeds him easy-peasy questions. Scrapping the production would hardly cost the earth.

The pair are old friends but they seem to be at war in the costume department. Suchet looks like a Blair clone in a dark blue blazer and a white, open-necked shirt. Wansell’s richer plumage stretches to a spotted bow tie and a pair of pink-rimmed John Birt spectacles. He looks like a country auctioneer who aspires to cable TV.

David Suchet makes Poirot sound like craft beer

Suchet dominates. He’s surprisingly athletic with the squat broad frame of a coal miner or a scrum-half.

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