This is an account of the multiplicity of ways in which men ‘stole back time from their captors through creativity’ in the prisoner-of-war camps of Europe and the Far East.
This is an account of the multiplicity of ways in which men ‘stole back time from their captors through creativity’ in the prisoner-of-war camps of Europe and the Far East. It is not about the escapers, but about the men who ‘turned the contents of a Red Cross parcel into a cooking stove, a barometer or a stage set; men who discovered a talent for painting or foreign languages, or who took exams that might help their careers when they got home’; about elaborate sporting fixtures and concerts and theatrical productions and the near-miraculous saving of lives on makeshift jungle operating tables; about ‘mental escape’ through study, gardening or birdwatching (‘captivity was in many ways the ideal setting for the keen ornithologist’), and the ‘uplifting power of genuine art and artistry’ when the chips are down.
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